Hotel Kyoto. The original Nintendo headquarters, reborn as a hotel. Marufukuro

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Hospitality Photography · Brand Partnership
Hotel Marufukuro — Editorial photography in Kyoto
/ Overview

A factory. A dynasty. A hotel.

Marufukuro is a luxury hotel in Kyoto, set inside the original headquarters of Nintendo — built in 1930 as a playing-card factory, reborn in 2022 as a heritage retreat. The project was structured as a partnership between the hotel and Âme Bohème: a stay in exchange for editorial coverage and a set of photographs for the brand. I shot three of its central spaces — the King Balcony Suite, the library, and the bar — over a single day of Kyoto light.

Role Photography, Retouching, Partnership (via Âme Bohème)
Year 2023
Location Kyoto, Japan
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What I wanted in the frame wasn't 'luxury hotel' — it was the building's two lives: a 1930 playing-card factory underneath, and the hotel built around it. Light does that work better than any prop.

— On the approach, 2023
Hotel Marufukuro — Interior detail
/ 01

Suite
with a story.

The King Balcony Suite occupies what was once part of the building's executive offices. I photographed it from both balconies — facing East at sunrise, West at golden hour — to record the same room as the day's light moved across it. The two frames sit together as a diptych: same space, two different buildings.

Hotel Marufukuro — King Suite Balcony, face East
King Suite Balcony, face East
Hotel Marufukuro — King Suite Balcony, face West
King Suite Balcony, face West
Hotel Marufukuro — Architectural detail
/ 02
Hotel Marufukuro — Library detail

A library
of legacies.

The library is the building's most contemplative space — a small reading room layered with archival objects, dark wood, and a single ceiling light. I shot it slowly, on a tripod, to keep the room's quiet intact in the frame. No people, no styling, no warmth added in post — just the room as it sits.

Hotel Marufukuro — Library, full view
Hotel Marufukuro — Library 1
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/ 03

Echoes at the bar.

The bar comes alive in late afternoon, when Kyoto light hits the brass and dark wood at the right angle. I shot it in that twenty-minute window — the warmest light of the day, on the warmest material in the building. After that, the room turns ordinary.

/ Visit the project

Discover Hotel Marufukuro
in Kyoto.

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